THE BCATP IN WATERCOLOUR
While scrambling through the internet this past month in search of relevant images for last week's story on the filming of “Captains of the Clouds” I discovered a wonderful place and an amazing set of images that need to be shared with our readership.
The virtual place is the website of the Australian War Memorial, the repository of images, stories, documents and memories of our antipodal brother "colony" set in the sparkling waters of the Indian and Pacific Oceans. There I stumbled across the above watercolour sketch of Avro Ansons flying above the blazing autumn colours of Québec's Laurentian Hills. It was exquisite and a revelation for I had never seen the workaday nature of the BCATP portrayed in any manner other than photographs or strident propaganda posters.
The artist was Captain Ralph Malcolm Warner, one of Australia's official war artists, sent to cover the Australian experience in Canada as RAAF men learned to fly, navigate, shoot and fight at the Aerodrome of Democracy - the British Commonwealth Air Training Plan. Warner crisscrossed the vastness of our country sketching and painting what he saw and turning out a remarkable series of watercolour and ink pieces that speak of Canadian experience through Aussie eyes. Warner's visual sense and palette of colours seem born from the sun-bleached outback, but yet they work here remarkably for they speak Aussie. And it was indeed the Aussie perspective that was his goal.
Looking at the dates and places where these paintings were done, it is evident that Warner was on the move with the benefit of transportation provided by the hundreds of BCATP aircraft flitting about the land delivering staff, students and themselves. He covered the entire landscape from Nova Scotia to Alberta and was also tasked to cover Australians in the Bahamas and in the United States.
Warner was born in Geelong, Victoria and studied art there and in Melbourne and Sydney. Like me, he was a commercial and advertising artist. He was called up for service and his artistic training was put to great use. He first was a camouflage painter then a designer of propaganda posters, but his obvious abilities were of a higher caliber and soon he was chosen for the highest calling for an artist in the service of his country - an official war artist.
After a brief visit to Papua New Guinea, he shipped to Canada where, over a period of 6 months, he visited 24 training schools as well as other facilities related to the experience. What follows is a unique visualization of one of the most important episodes of Canada's aviation and military history captured in the powerful and controlled brush strokes of a man from the antipodes.
His style had to be adapted as extreme weather (not for a Canadian), busy training schedules and constant movement meant he had to do rough and fast sketches on the spot and then create the finished works in barracks and hotel rooms after the fact. The fully-worked pieces still feel sketchy and quick, but the warmth, openness and sense of momentous events to come make these a wonderful record of Australians learning the skills that will put them to the test, put them in harm's way and possibly put them in the ground.
The Australian War Memorial allows not-for-profit organizations like Vintage Wings of Canada to use the images for educational purposes, so we present them here for your enjoyment. It is required that the watermarks should not be removed and the resolution and quality of the scans probably leave a lot of detail and colour back at the AWM, but still they sing out loud. A tribute to a great war artist. Throughout the description from the AWM, the British Commonwealth Air Training Plan (BCATP) is referred to by its older title, the Empire Air Training Scheme (EATS) but I have employed the one commonly used here in Canada.
Vintage Wings of Canada would like to thank the Australian War Memorial firstly for allowing these images to be used for non-profit educational use, but most importantly for taking such care of these wonderful paintings which are an artistic record of a shared experience.