BITE ME! The Story of the Shark Mouth, the World’s Most Enduring Nose Art
In the beginning—the very beginning—aircraft designed and built by early aviators like the Wrights, Curtiss or Blériot had more in common with dragonflies or even scaffolding than eagles or sharks. These contraptions of bamboo poles, corded lashings, canvas panels, taut wires, brass fittings, thrashing propellers and wooden frameworks were fragile, open structured things that nonetheless captured the imaginations of men and women around the globe. Blunt, exposed and draggy, they had none of the predatory visual attributes that would one day come to define military and even civilian aircraft. Newspapers of the day called these first aviators “birdmen” and made natural and poetic connections to the flight of birds, but in truth, these flimsy craft were but lumbering, staggering jalopies, more turkey than turkey vulture. But this would very soon change.
As time progressed and aircraft designs improved, their forms began to comply with aerodynamic laws as builders sought to compensate for the cumulative drag created by wires, braces, struts, flat radiators and exposed pilots. For streamlining purposes and the comfort of crews, accommodations for pilots and observers began to be somewhat enclosed, while the structural complexities of fuselages and empennages became covered with fabric to aid in the uninterrupted flow of air over structural and control components. Aircraft began to look less like Meccano constructions or scaffolding and more like birds or even fish—two animal forms that lived and moved within a fluid world. In an attempt to emulate the successes of birds and fish within their realms, designers began to deliberately take design cues from these animals. These design developments began to shape aircraft in a very specific way, one that would lead pilots and crews to see their aircraft as predatory birds or fish.
While there may have been earlier instances of applying paint or markings to an aircraft in order to imply a connection between craft and creature, the earliest photographic instance I can find on the internet was a fragile but beautiful Donnet-Lévêque flying boat known as the Flygfisken (Flying Fish), made in France and operated by a Swedish flying instructor by the name of Carl Cederström. Many believe that the earliest applications of faces, and in particular fish or shark faces on aircraft were to fighters, bombers and recce aircraft of the First World War. The Flygfisken, however, clearly dates to 1913, and the idea itself possibly to 1912 when the aircraft was ordered from the factory—about ten years after the first powered flight by the Wright Brothers. It is likely that there are earlier and similar ideas, but for the purposes of this photo essay, that is where we will start.
There are many instances of the application of a snarling skull, shark, fish or animal mouth on aircraft of the First World War, but it seems that it was up to the discretion of individual pilots and observers. It was in these early years that it became evident that painting your airplane in such a manner gained the public’s interest when photographed and printed in newspapers. People loved the sense of humour, the aggressive attitude and in the case of skull heads, the nightmarish vision.
In combing the internet for historical and contemporary applications of the shark mouth motif, it became clear that there are literally thousands upon thousands of instances of its use—individual aircraft, entire squadrons, civilian as well as military, gliders as well as powered aircraft and nearly every common type of aircraft has had, at one time or another, a snarling shark mouth applied to its nose. There is no way that this story could ever begin to include all of these aircraft from history. Instead, I have collected a small sampling of about 90 images that take us from the earliest examples of the idiom, through its military heyday in the Second World War to the aircraft of today. It was difficult to know where to stop and what to include, but this selection will, if anything, demonstrate its astounding ubiquity. The shark mouth appeared in every air force on the planet, on any type of aircraft and at any historical period since the beginnings of flight.
Today, the shark mouth motif is used well outside of aviation, gracing automobiles, ships, motorcycles, guns and the arms of the odd debutante with attitude issues. It continues to be used by fighter and bomber units from Japan to Turkey to Russia and is the go-to graphic device to activate any aircraft’s qualities of pugnacity, aggression, or anger. Today, this would be called a “meme” — an element of a culture or system of behavior that may be considered to be passed from one individual to another by non-genetic means, especially imitation. Long before the memes we see today (the Keep Calm and Carry On meme comes to mind), the shark mouth has remained relevant for more than 100 years, an outstanding achievement for a simple graphic device. There is no doubt that, centuries from now, space ships will continue to employ the shark mouth for its universally understood meaning and for its timeless appeal.
Dave O’Malley
We could not possibly showcase even a small fraction of the instances of its use, but if you have a special image you would like to see added to this repository, send it along with a written caption of no less than 20 words, and we will add it to the project. Here now is a tribute the greatest nose art of all time—the shark mouth.